The Conclusions That We Draw 2012

The Conclusions That We Draw

We read into it what we are:

nothing more.

We interpret:

nothing more.

In touch, sight, sound

We listen with our backgrounds,

Enjoy through aptitudes,

Construe according to proclivity

And time of life; the acme

Of all prefaces that takes in every truckload

Of the word.

The Conclusions That We Draw 2.28.2012

General Prefaces; Vaguely About Music; Circling Round Reality;

Arlene Corwin

After Last Night 2012

After Last Night

Sitting in the bathtub thinking

What a pity

That the memory

Gets in the way of now.

Last night’s success

Completely gone -

Departed,

Spent absolute.

No substitute.

If time is taken

To think ‘then’

(Just hours ago),

A method

To make then a ‘now’

Without

Losing the moment?

Maybe some can.  I can’t.

Yet.

Bath Again 2.8.2012

Bath Book; Vaguely about Music;

Arlene Corwin

Conversation With An Idealess Pianist 2012

Conversation With An Idealess Pianist

 

Consent to itit coming through,

With It creating endlessly

In rhythms strange

And structures new,

(Like flakes of snow).

Say, “Nothing’s coming out right now.

I’ll wait and see.

Perhaps tomorrow…

Maybe.”

 

Out of nowhere,

Chord, phrase, quicker hand -

A pianist to ‘beat the band’

(But not for always) just today,

An increase

Until object,

Target, purpose,

Angle shifts

(It goes in phases)

Once again.

 

Conversation With An Idealess Pianist 1.23.2012

Vaguely About Music; The Processes: Creative, Thinking, Meditative II;

Arlene Corwin

 

 

 

 

Because Of Fear 2012

Because Of Fear

 

Ruled by fear, he sits at home.

Not out in years

Nor in a dentist’s chair,

Teeth rotting, missing,

Dread of falling down the stairs

(Three or four at his front door)

He sits at home, the TV going

While assuring those he phones

That he’s not really watching.

 

In an armchair he calls throne

He sits alone,

The throne not king’s –

More beggar/clown.

His drinking’s slowed,

His ‘pot’s expanding;

Cigarettes smell up his pants

And everything else in the house.

The legs go like an old, old man’s -

Weakened by disuse.

 

A man who once had perfect pitch,

Once in demand by groups and bands,

Perfect ‘time’, his bass sublime;

Those gifted hands

Have stopped, a clock unwound.

He’ll never wind it up again

Unless a wonder intercedes.

He needs

a miracle.

 

Because Of Fear 1.10.2012

Vaguely About Music;

Arlene Corwin

 

 

 

A Work In Progress 2011

A Work In Progress

Art is that,

Poetry, piano jazz:

All works in progress.

Friends of mine know that.

 

I’ve never written, played a piece

I’ve not revised – at least

Each time I’ve sized it up,

Done it twice or thrice or

More, more, more….

 

An awkward phrase

Needs tempo, elongating, shortening,

Abbreviating – simply wrong.

I once thought, is any artwork finished… ever?’

I still think it never is.

Life perhaps?

Never finished… I would

Like to think it is.

 

Work-in-progress, always

Where one dares, inspired

By a change

In mind inspired by one better.

Breathing in, metabolizing

Something better

As the letter becomes yours.

 

Brasher in a quiet way: maybe later in the day,

Observant and articulate,

Alert to nuance new.

Always on the way…

To rainbow’s end, maybe no end,

Restrictions ever loosening,

Never ending progress

That keeps saying “No, not this,

You silly-billy.”

Not advancement but evolvement.

 

A Work-In-Progress 12.4.2011

The Processes: Creative, Thinking, Meditative II; Definitely Didactic; Pure Nakedness; Vaguely About Music;

Arlene Corwin

Not An Old Song 2010

            Not An Old Song

Grr, to platitudes – like gratitude -

That lose their punch,

Bunched into

‘The Worn-Out Department of the Brain.’

A lodger lovely and essential;

A sweetness liking everything

That comes its way;

Everything a favor.

Twisting, turning,

Learning

‘til you find a reason why -

(lawyers do – to win the case).

In this case, if you’d win it:

To feel grateful every minute.

Fresh and cool;

Not an old song -

A rule.

 

© Not An Old Song 9.15.2010

Nature Of & In Reality; Vaguely About Music;

Arlene Corwin

Notes from the Overground: Thoughts On Touring 2010

           Notes from the Overground: Thoughts On Touring

Book, cd, performance, what!

I do not want to tour.

An effort that I could, if forced

But see through the illusions:

All-inclusive energies –

Pushing, meeting, signing,

Introducing, marketing;

Hidden bragging

Sell and spread.

Every night a hotel bed.

That!

Everybody’s doing it.

Television’s full of it:

Reputation in a wink –

They think.

There is no quick.

Success invalid,

Success a pallid despot

With a jealous eye

Towards quick eternity:

We want to be remembered.

It’s genetic – since the days we were Neanderthals

(DNA 3-4%)

Confirmation from the grip, grope, group

That grabs you by the gargling throat.

It’s poetry

That’s fun.

©Notes From the Overground10.18.2010 The Processes: Creative, Thinking, Meditative II; Our Times, Our Culture; Vaguely About Music;  Arlene Corwin

 

The Best Jazz Musicians 2010

                  The Best Jazz Musicians

The best jazz instrumentalists I know

Don’t like restatement,

Don’t repeat.

Chord, phrase, tune -

Even when the song says do;

The best jazzers I know

Say no.

The best musicians that I hear

Use both their ears

to vary.

Look inside

The heart, gene, brain.

Is it the thing called soul?

The plan often no-plan,

The best musicians that I know

Belong to

Planet’s art form high;

Developed, subtle

On each plane

of creativity.

 

 

© The Best Jazz Musicians 9.27.2010  Vaguely About Music;   Arlene Corwin

My Genre Is Jazz 2010

        My Genre Is Jazz

My genre jazz

Has

Been since I was…

Temperament

Which bases days,

Their doings

On a ground

Resembling chaos,

Playing ‘round

With themes that show up

Or been planned

From frames that caffeine brings.

Jazz

Is

An improvised

Now-think;

Its idioms infinite as man.

Mine cool, the medium

Piano/voice,

Of course,

The genre jazz

Whose rule is the school,

Whose school is the rule

Of my genre.

 

© My Genre Is Jazz 8.31.2010  Vaguely About Music;   Arlene Corwin

 

 

 

 

 

 

So Much To Do, So Little Time To Do It In* 2010

              So Much To Do, So Little Time To Do It In*

A little man, glass bones disease.

A la Lautrec: two prodigies.

At thirty-six his lungs gave out.

We cried, we would not be consoled.

Prodigious talent

Playing jazz as only he could,

For his best fan – God.

 

© So Much To Do, So Little Time To Do It In. started 5.9.1999/now6.24.2010A Sense Of The Ridiculous; Special People, Special Occasions;  Vaguely About Music;  Arlene Corwin

 For Michel Petrucciani

 

 

 

 

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