A Work In Progress 2011

A Work In Progress

Art is that,

Poetry, piano jazz:

All works in progress.

Friends of mine know that.

 

I’ve never written, played a piece

I’ve not revised – at least

Each time I’ve sized it up,

Done it twice or thrice or

More, more, more….

 

An awkward phrase

Needs tempo, elongating, shortening,

Abbreviating – simply wrong.

I once thought, is any artwork finished… ever?’

I still think it never is.

Life perhaps?

Never finished… I would

Like to think it is.

 

Work-in-progress, always

Where one dares, inspired

By a change

In mind inspired by one better.

Breathing in, metabolizing

Something better

As the letter becomes yours.

 

Brasher in a quiet way: maybe later in the day,

Observant and articulate,

Alert to nuance new.

Always on the way…

To rainbow’s end, maybe no end,

Restrictions ever loosening,

Never ending progress

That keeps saying “No, not this,

You silly-billy.”

Not advancement but evolvement.

 

A Work-In-Progress 12.4.2011

The Processes: Creative, Thinking, Meditative II; Definitely Didactic; Pure Nakedness; Vaguely About Music;

Arlene Corwin

Loss Of Vanity 2011

Loss Of Vanity

 

Loss noticed:

Gradual and un-dramatic -

As if letting go.

 

It is a letting go.

 

No longer yearning for approval

From the neighbor; from the culture.

Free from fashion factory’s syndrome,

Factory fashions altogether.

 

They won’t know the why

Or even that there is no vanity.

They might say “Oh,

She’s letting herself go”,

And they’d be right.  She’s undergone

A distancing,

A retrograde,

An understanding

That it doesn’t make a difference,

 

Self-importance an illusion.

Loss of fear – that’s what it is

That’s come at last.

 

Loss Of Vanity 11.18.2011

Circling Round Vanities; Pure Nakedness;

Arlene Corwin

 

 

Dry & Cheerful 2011

Dry & Cheerful

 

Dry and cheerful,

Unromantic,

(tears don’t count at movie ends)

Cool, detached,

(but warm with strangers and with friends)

Acting for the circumstance,

Present-liver, un-nostalgic,

(yet sleep links itself to ‘past’

and ‘lost’ and ‘maze’)

The daze and haze of faze and phrase.

A crazy template

Of the ways exposing

The unfolding lifespan.

 

Dry & Cheerful 6.7.2011

Circling Round Reality; Pure Nakedness;

Arlene Corwin

 

 

Looking At My Right Arm 2011

Looking At My Right Arm

 

Night after night, book in hand,

I see the arm,

And I’m

Astonished and perplexed.

I cannot climb inside

The aging mind of my right arm

To find out what it’s thinking

When a wrinkling

(That did not exist the night before)

Arrests the eye.

Or am I

self-deceptive,

Non-attentive?

Muscle doesn’t waste away

Over a night.

Something’s withering,

(Lovely sound – alarming word)

Shriveling and wasting.

I remember being young,

Those crepey ladies…“how repulsive”

On my brain-tongue.

Never

in my wildest dreams… yet

Here in bed examining,

Accepting, yes, consenting!

It is me!

I like the self I am and I agree

To what I see.

 

Looking At My Right Arm 5.18.2011

Pure Nakedness; Circling Round Wrinkles;

Arlene Corwin

 

 

Two Husbands & A Manager 12.11.2010

Two Husbands & A Manager

Three deaths this year:

The probability when getting old.

I thought that eighty was statistically

The modern seventy.

Karmic preparation detaching me

From those held dear;

Does Time do me a favor,

Taking savories away

To dull the taste buds of existence?

Preparation? Possibly.

Different roads that lead to Rome.

Correction: I meant Home.

 

© Two Husbands & A Manager 12.11.2010

Birth, Death & In Between; Pure Nakedness;

Arlene Corwin

 

 

 

 

Two Husbands & A Manager 2010

It isn’t often that I write directly about myself, but I am a kind of historian. I’ve noticed that.  I write to record lives, insights, events – and always in poetic forms.  The other day I received a mail from the wife of my onetime manager, (my profession being music) who had died on the 5th of December. 

In this year 2010 two of my former husbands have passed away – and now my manager.  I hadn’t seen him in years – but still, an absence is precisely that – something that was there that is no longer.  and an absence of those who have been in one’s life is an absence felt in that mysterious compartment in the brain that records personal existences.  

So I wrote.  Partly to examine, partly to honor and partly to make sure that I remember.  Poetry is my mnemonic aid par excellence.

The poem: still a little raw, parhaps.

     Two Husbands & A Manager

Three deaths this year.

The probability when getting old;

I thought that eighty was statistically

The modern seventy.

Karmic preparation detaching me

From those held dear;

Does Time do me a favor,

Taking savories away

To dull the taste buds of existence?

Preparation? Possibly.

Traveling different roads

That lead to Rome,

Correction: I mean Home.

© Two Husbands & A Manager 12.11.2010

Birth, Death & In Between; Pure Nakedness;

Arlene Corwin

 

 

 

Nothing To Lose By Exposing 2010

             Nothing To Lose By Exposing

I’ve nothing to lose

(I mean we all)

By telling you the whole.

Nothing not clutched at,

Reached out to

Or botched up in life.

Kill? You’ve killed roach,

Wasp and ant.

You can’t

Say you’re harmless.

Both sexes have panted,

Seen, smelled, touched -

Have felt much of much:

If not outright, in fancy,

So,

Nothing is lost

By making all known,

The unshown unshorn,

Exposed in the sharing –

It takes guts and daring, but

Nothing an ego can’t take.

© Nothing To Lose 10.20.2010

Definitely Didactic; Pure Nakedness;

Arlene Corwin

 

Frozen In Time 2010

         Frozen In Time

 The tendency,

The wish to be

The shiny sun of twenty-one

That looked out from

A malleable place

Inside that face

Of innocence and gullibility;

Mute kingdom

Of the ignorant.

One sees the now-jowls,

Howls,

And asks oneself

Would I prefer to be

Time frozen, young forever?

Never!

I know all about it.

I’m re-routed;

More alive than Arlene

Twenty smooth-faced Nover ever

Was.

Circling Round Wrinkles; Circling Round Nature; Pure Nakedness;

Arlene Corwin

© Frozen In Time; 5.1.2010 

Sad Hours Walking Along Pitkin Avenue 2010

              Sad Hours Walking Along Pitkin Avenue

Who knew that Pitkin was a hawker?

Remembering sad hours walking,

Smelling, looking:

Window-shopping nylon gowns;

Nylon gauzy, vivid;

(World War Two’s post world war news -

(who’d would wear a nylon now?)

Sometimes having money for

Knishes on the corner;

Smell of kasha and potato;

Loew’s Pitkin – movie’s glamour

Brother, three -

His premier movie – Toto, Dorothy;

Hysterics when the witch flew by

He/I evicted, he still crying.

The Hebrew Educational Society, – H.E.S. -

(Was it on Hopkinson?) where Jewish children

Studied music – free. That’s me.

The long walk there and back to 1650

Sterling Place, my telephone number 31313,

Kids envied me.. Who had a number like that?

Pitkin Avenue where I fled

When mom and I had argued;

With emptiness unsatisfied and unidentified,

Yearning for some side

Of life I’d not a clue existed.

Here’s a sad one:

Birthday present for my daddy;

In a shop on Pitkin where I’d laid

A child’s wallet on the counter.

Some nice lady at my side

Disappeared, the wallet gone.

How I cried that whole way home. One

Of life’s wounds not healed. Real grief.

Poem for Pitkin Avenue,

The chums one knew,

And candy stores,

Girls and boys,

Even men, who smoked and joked there,

Some to never move from there.

Sweden:

Year two thousand ten,

Six decades later.

Who knew then?

© Sad Hours Walking along Pitkin Avenue 10.16.2010  Pure Nakedness;   Arlene Corwin

Sad Hours Walking Along Pitkin Avenue 2010

                 Sad Hours Walking Along Pitkin Avenue

Who knew that Pitkin was a hawker?

Remembering sad hours walking,

Smelling, looking:

Window-shopping nylon gowns;

Nylon gauzy, vivid;

(World War Two’s post world war news -

(who’d would wear a nylon now?)

Sometimes having money for

Knishes on the corner;

Smell of kasha and potato;

Loew’s Pitkin – movie’s glamour

Brother, three -

His premier movie – Toto, Dorothy;

Hysterics when the witch flew by

He/I evicted, he still crying.

The Hebrew Educational Society, – H.E.S. -

(Was it on Hopkinson?) where Jewish children

Studied music – free. That’s me.

The long walk there and back to 1650

Sterling Place, my telephone number 31313,

Kids envied me.. Who had a number like that?

Pitkin Avenue where I fled

When mom and I had argued;

With emptiness unsatisfied and unidentified,

Yearning for some side

Of life I’d not a clue existed.

Here’s a sad one:

Birthday present for my daddy;

In a shop on Pitkin where I’d laid

A child’s wallet on the counter.

Some nice lady at my side

Disappeared, the wallet gone.

How I cried that whole way home. One

Of life’s wounds not healed. Real grief.

Poem for Pitkin Avenue,

The chums one knew,

And candy stores,

Girls and boys,

Even men, who smoked and joked there,

Some to never move from there.

Sweden:

Year two thousand ten,

Six decades later.

Who knew then?

© Sad Hours Walking along Pitkin Avenue 10.16.2010  Pure Nakedness;   Arlene Corwin

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