15 Dec 2009
by arlenecorwin
in 1949, 1951, 1952, 1953, 1954, 1955, 1956, 1959, 1960, 1961, 1962, 1963, 1968, 1969, 1984, 1988, 1989, 1990, 1991, 1992, 1993, 1994, 1995, 1997, 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, a sense of the ridiculous, arlene corwin's biography, autobiography, biography, birth death & in between, birthday book, cat book, circling round baths, circling round computers, circling round energy, circling round eros, circling round nature, circling round reality, circling round time, circling round vanities, circling round woman, circling round wrinkles, circling round yoga, coffee book, defiant doggerel, definitely didactic, doggerel, God book, I Is Always You is We, I Was Thinking..., lessons to be learned, life, love relationships, love relationships; circling round eros, lyric, mother book, nature of & in reality, numbers, on the way to the post, our times our culture, pure nakedness, recipes, revelations big & small, small stories book, special people special occasions, swedish book, the processes creative thinking meditative, to the child mystic, Uncategorized, vaguely about music, war book
Arlene Corwin’s Poetry
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Arlene Corwin’s Open-Ended Biography
(10.3.2007 updated 10.24.2007 updated 1.3.2008; updated December 15, 2009, October 2010 )
Arlene Corwin (born Arlene Faith Nover) is an American jazz singer and pianist, poet, teacher and practitioner of Yoga. Born November 8, 1934 in the Williamsburg Maternity Hospital, Brooklyn, New York. She has two children. Jonathan Eric Corwin (born July 24. 1956 and) Jennifer Nover Council (born February 2, 1964). Mother Margy Lillian (born Brown). Father Albert S. Nover. Both were hairdressers, owning a beauty salon together. Everyone was musical on both sides of the family. Mother sang, could play some piano. Father was a gifted sculptor and wood carver, played a little harmonica and mandolin. The family is Jewish.
Early Life
Started studying piano age 8. Studied voice at the famous 1650 Broadway with ‘coach’ Matty Levine. Did a little recording at aged 10 in Nola Studios. (The record has since disappeared) At 12 she started studying harp with Meyer Rosen (Julliard and NBC Orchestra) and the occasional piano lesson with an NBC pianist who taught her how to read chord changes, seeing at once that she was not interested in learning classical piano.
As a child she had already sung at weddings, bar mitzvahs and for the USO, raising bonds for the war effort. At 13, having a boyfriend who played the saxophone and who listened to Symphony Sid, jazz disc jockey whose late night show originated from Birdland, she awakened to jazz, listening to the late night show “under my blanket”. “A turning point”, she says. (Well before “Lullaby of Birdland” was put to words Arlene had written a lyric of her own – a lyric she still sings today) At 14,she was playing for a dancing school once a week. Then she got an accidental job (“slipping in on a banana peel when the singer got sick”) in a Brooklyn nightclub singing with a group. “Mom and dad chaperoned, of course”.1950s
She began to sing regularly when again, out of the blue, an agent rang offering a job for a hundred dollars a week to play at the Mayflower Hotel in Manhattan. It was a restaurant owned by Bob Olin, a former light heavyweight world champion. “I was so naïve I played the whole evening without ever taking a break. Who knew about breaks? Why they kept me I’ve no idea.” But they did and the steady salary of $100.00 a week (which she gave directly to her mother, any other choice never occurring to her) and the experience of having to make a varied program led to her singing to the piano, and eventually to playing to the singing. At this time she was still in high school as attending the prestigious High School of Music & Art as a harpist.She graduated from Music & Art getting a scholarship to Hofstra College as a music major.
Then in 1952, while still at Hofstra College (now university), she was playing on the weekends in a Hempstead, Long Island nightclub-restaurant when Slim Gaillard, who’d come to see Jack Teagarden (also working there) began to take notice of her. He started showing up regularly. There he met Arlene’s mother Margy, and the two eventually opened a jazz nightclub, the first to cater to blacks and whites. It was called The Turf and it, like Birdland had its own radio show, for which Arlene wrote the theme song “The Slim Gaillard Show”. Now she was standing as well as sitting, getting a chance to sit in and sing as often as she chose. The die was cast. It was jazz, cool jazz.
Early Influences
In 1954, on the day she ought to have been attending her college graduation, she married Bob Corwin, a 21-year-old jazz pianist with the Don Elliot Quartet. Because Bob toured, Arlene began her new stage of education: listening to Don’s group while they played on the same bill as the jazz greats of the 50’s. There was Helen Merrill at George Wein’s Storyville in Boston, Terry Gibbs and Illinois Jacquet in Detroit, Bill Evans, Cy Coleman, Bernard Peiffer, Tal Farlowe,Johnny Smith John Mehagan and Billy Taylor (who had also performed at the Turf) at the sophisticated Composer owned by jazz lover and connoiseur Willie Short in Manhattan. ” It was also a chance to see and listen to other singers of the day. New York was marvelous in those days. I saw Peggy Lee at Basin Street, became friends with Blossom Dearie at Trudy’s in the village, Oscar Peterson, Marian McPartland at the Hickory House, Sheila Jordan, Morgana King. It was THE university for me. I was introduced to and mentored by Tony Fruscella, the tragic, unsung genius of the trumpet, ‘who I took on my gigs, but to whom I was actually the apprentice’ – and through Tony to Morgana King and Beverly Getz, the talented [and equally tragic] wife of Stan Getz. I feel blessed to have experienced jazz at that time. The guys would gossip about who played ‘behind’ or ‘ahead’ of the beat, bass lines, good changes, bad changes. No Music & Art or Hofstra did that. I learned almost the whole of what is now called The American Songbook. And I, I was sounding like Sarah Vaughn with a little voice.”
Hanging Around Manhattan; Not This, Not That…
Living in New York, and looking for a niche she spent time, as other musicians did, at the Musicians Union Local 802 or Charlie’s Tavern where jobs could show up. In this way, there were weeks and weekends away with big bands: Tommy Dorsey’s Orchestra under the leadership of Warren Covington, Claude Thornhill and Larry Sonn.
“When you hang around New York all kinds of opportunities show up”. And so, she got a leading role in a B film called “Jukebox Racket’, wrote the score for another B film called, at the time “She Should Have Stayed In Bed”, later to be called ‘1,000 Shapes Of A Female: see IDMB (the company, called Exploit Films was owned by Errol Flynn “tall, big in every way, veins on his face, but exuding old world charm” He was quite, quite overwhelming.”
Then there was a bit part in John Cassavetes “Shadows”, followed by the lead in what has become a cult ‘beat’ musical called “The Nervous Set” by Fran and Jay Landesman where she introduced the now-standards “Spring Can Really Hang You Up The Most and “Ballad Of The Sad Young Men”, both subsequently recorded by Ella Fitzgerald, Shirley Bassey and numberless major artists. She studied acting with Joshua Shelley. “It was a time to find out who and what I was. “I was definitely not an actress. I was too introverted and none of those clothes fit” she says.
More Influences and more Not This, Not That…
In 1959 she met Johnny Burke (Burke & Van Heusen) who took her under his wing, taking her to Hollywood to demonstrate his show “Donnybrook” for Rosalind Russell and husband, producer Frederick Brisson “It was a glitzy time. I stayed at Bob Hope’s house in Palm Springs, met Frank Sinatra and his then fiancee Juliet Prowse, Jerry Lewis, Marlene Deitrich, had my own suite in Las Vegas , traveled first class, but was so introverted I always kept to myself, never saying much, definitely not participating in any of these scenes. Those clothes didn’t fit either.”
All the while she returned to the intimacy of New York supper clubs. They were the bottom line, singing and playing.
It was during the supper club period, she met Al Weissman who became her manager. She was signed to the Joe Glazer Agency and began to tour with her own trio. “Wherever I went they’d say, “You know, there’s just been a girl here who sounds like you. Her name was Barbra something. I suppose we had Brooklyn Jewishness in common. ” (She too was signed with Glazer.)
Although published by Frank Publishing (owned by composer Frank Loesser) years later she asked for the songs back because “nothing happened.” “It was a period of promise, a period I was not equipped to fulfill”.
1960s-1970s
In 1962 it was back to Hollywood with Al Weissman and high hopes. “I had some jobs, but never in my genre.” Back to New York. A little jaunt of songwriting with singer Dick Haymes. A short marriage of four months to Richard Robin Palmer.
Greece, Lebanon, Greece, Oxford – Yoga & Jazz
In 1966, by way of Paris, Greece (where she and husband Jim Council were neighbors with Leonard Cohen and Marianne) and Lebanon, “where I actually managed to do some television, singing jazz”, she settled in Oxford, England for the next 18 years, teaching yoga,(“lectured and demonstrated in what must have been a hundred Women’s Insitutes, posed for one of the very first health magazines called Health & Fitness, wrote articles on nutrition, had a weekly radio spot on a little radio show for BBB Oxford actually doing Yoga on radio while describing each pose with a microphone up my nose, did a tape on meditation – it was a lot of Yoga”) and singing and playing, being voted Best Jazz Singer in the Midlands 1972, appearing at Ronnie Scott’s three times. She did 3 television shows; a late night BBC jazz show called “In The Cool Of The Evening”, radio for BBC overseas, was invited over to Amsterdam to do Dutch radio, sang at universities around England, (“one night opposite Pink Floyd, “who were just starting out, I suppose”), the American air bases.
She appeared several times at The Stables in Wavendon (run by John Dankworth – now Sir John Dankworth – and Cleo Laine -now Dame Cleo Laine – while at the same time giving weekly yoga lessons to a group there, (which included Dame Cleo – “a wonderful
yogin”). The Wavendon All-Music Plan, later known simply as WAP “was the most stimulating and original enterprise I’ve ever encountered, pairing all kinds of musical genre. I even played on the same bill as Vladimir Ashkenazy.”
Starting in 1969 and all during the 70’s fate gave a push to the yoga side of things and Arlene was teaching yoga classes in doctor’s offices for hyper-tense, cardiac and overweight men. teaching regularly at conferences for IBM. She gave demonstrations, lectured all over for the Women’s Institute, posed and wrote for Health and Fitness Magazine (summer issue 1982) a book called The New Manual Of Yoga by Karen Ross (1973) wrote articles on nutrition, made a cassette called This Is Meditation. It was a full double life with Yoga taking half the time and singing the other half.
1980s to now.
In 1983 she once again ran into Slim Gaillard – this time in London. He asked her to appear on a television show he was producing that was to star himself, Kai Winding and Wayne Shorter. It was the last appearance she ever made in England.In 1984, finding Sweden fertile ground for singer/pianists, and meeting and falling in love with Kent Anderson, she moved to Sweden where she lives until today, performing, and writing regularly for “Live With Good Intentions” an online magazine.
Still growing, still changing
The latest news – 2009 and 25 years later, aged 75: a cd of her own songs for Imogen Records produced by George Reece, a concert of Johnny Mercer to commemorate his 100th birthday, poetry grown to 2000 poems (see Arlene Corwin Poetry).
2009 finds her favorite project on Google called Arlene Corwin’s Poetry, a project that started in 1949 or about 2,000 poems ago.
2010 landmark: First published book of poetry, “Circling Round Time” comes out in September “To The Child Mystic” the second due to come out in December.
Tags:arlene corwin’s background, biography, life
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28 Mar 2009
by arlenecorwin
in definitely didactic, lessons to be learned, life, small stories book, the processes creative thinking meditative
Tags: 2008, life lessons, your potential
On Reading A Short Story Written By An Actor
It’s always one or more:
Talents.
Actors write;
Singers act;
Nobel winners
Play the violin,
And housewives
Who have put behind them
Operatic aspirations
Have their babies –
Cootchicooing,
Cleaning, cooking,
Going back for their degrees
At fifty, sixty, eighty.
Talents manifest
Or hidden,
Baiting,
Waiting
To be found and shot
Into a world in need.
There is a cover for each pot.
© On Reading A Short Story Written by An Actor 8.24.2008
Definitely Didactic; Small Stories Book; The Processes: Creative,Thinking, Meditative;
Arlene Corwin
21 Mar 2009
by arlenecorwin
in 2008, circling round reality, I Is Always You is We, lessons to be learned, life, small stories book, special people special occasions
Tags: 2008, it could happen to you, life lessons, situations
Meaninglessness’ Fullness
Beauty everywhere.
Non-sexual,
I see it in my aging girlfriends’
Lips, hair, mascara-ed eye,
A kilo lost or gained;
New bit of jewelry.
I see, I see.
The little beauty.
In the forest (where I live)
The fallen tree,
The taken ‘way,
The dead revealing a new ray
Of light,
New chance
To see the lake that’s usually
Hidden.
Beautiful.
My alcoholic friend rings everyday
And sings me songs;
(An excellent, former, rather famous
Bassist; agoraphobic, life in ruins,
Helpless in the everyday,
Yet gentle, funny.
Though he might die any day,
The small songs show his beauty
In the meaninglessness.
© Meaninglessness’ Fullness 3.9.2008
Circling Round Reality; I is Always You Is We;
Small Stories Book; Special People, Special Occasions;
Arlene Corwin
19 Mar 2009
by arlenecorwin
in 2008, a sense of the ridiculous, birth death & in between, circling round computers, circling round vanities, lessons to be learned, life
Tags: 2008, computer poems, vanity
Life On The Hard Disk
Sometimes I wonder
If life on the hard disk
Is a life. What if
I drop the thing – is living over?
What if fire burns
Arlene Faith Nover?
Soft copies have their lives,
Yet messages, ideas, letters
Disappear –
Spheres
Unredeemable.
Libraries that burn to cream,
Dispersed and looted.
It would seem that earth’s
An Indian-giver –
Conscience-free and taking back,
Truths to remain without a name;
Variations-on-a-theme
To smolder, mold
To dust in archives never found,
The once bound, un-.
So when my hard disk too goes ‘bye,
Vanity goes underground, no disk, no I –
That’s that.
© Life On The Hard Disk 4.15.2008
A Sense Of The Ridiculous; Birth, Death & In Between;
Circling Round Computers; Circling round Vanities;
Arlene Corwin
.
21 Feb 2009
by arlenecorwin
in 2008, definitely didactic, I Is Always You is We, lessons to be learned, life, nature of & in reality
Tags: 2008, friendship, giving, lessons, life
Giving
When the offerer knows giving
With a consciousness of self,
It’s a suffering of sorts, however subtle.
Ends
Must emanate
From any
Other aim
Than movement stemming from
The name of
Look, I gave!
My friends are perfect:
They know how.
© Giving 8.2.2008
Definitely Didactic; I Is Always You Is We;
Nature Of & In Reality;
Arlene Corwin
20 Feb 2009
by arlenecorwin
in 2008, circling round reality, definitely didactic, I Is Always You is We, lessons to be learned, life
Tags: 2008, feelings, feelings as illusions
Feelings Are Seldom
Feelings are seldom expressions of truth.
They lie to us, hide from us, fooling us,
Pointing at
Memories wide of the mark,
Panting at
Loss not true, not truly false,
Pent up patterns
Not wholly false, wholly true,
Wholly you.
Not always/never,
Feelings not terribly clever
Shade shifting sums
Between the dream and what ‘seems’
Leading to a place/no place.
No one is saying ignore.
Don’t adore them.
Put here to feel, they’re not steel,
Carved from bone, etched in stone –
You can leave them alone,
If you want – but you won’t.
© Feelings Are Seldom 4.16.2008
Definitely Didactic; Circling Round Reality; I is Always You Is We;
Arlene Corwin
19 Feb 2009
by arlenecorwin
in 2009, circling round vanities, definitely didactic, I Is Always You is We, lessons to be learned, life
Tags: 2009, a little didactic, ego, getting free, I Is Always You is We, vanity
Stopping The I
When I was eight,
I read about
A man who stopped his use of I.
(he never uttered I again)
I read it in “Believe…Or Not”
It had to be
‘cause it was Ripley.
One struggles with the I:
Narcissus’ ego, vanity.
Write you, he, she, it, they, we, one.
You cannot hide.
It’s you projected –
Blindness rippling,
Lie unwitting.
Best
To die
To vanity,
Then
travel backTo I – when you are naked.
© Stopping The I 2.23.2009
Circling Round Vanities; I Is Always You Is We;
Arlene Corwin
19 Feb 2009
by arlenecorwin
in 2009, lessons to be learned, life, revelations big & small
Tags: small revelations
Somehow Or Other
In a moment decided:
You’ve got to do this, that, the other
The rest of life’s lives,
Setting the pace,
Not too much, slow or speedily,
Drying the dishes or climbing the Alps,
Striving for this/that the life you encase.
That is what I have discovered.
On a scale of revelations big to small
This does not feel big at all,
But calms one in the long run.
© Somehow Or Other 1.9.2009
Revelations Big & Small;
Arlene Corwin
27 Jan 2009
by arlenecorwin
in 2008, a sense of the ridiculous, birth death & in between, circling round nature, circling round reality, circling round vanities, I Is Always You is We, lessons to be learned, life
Tags: 2008, a sense of the ridiculous, being sick, birth death & in between, circling round nature, circling round vanities, definitely didactic, getting well again
After The Bunion
I’m tired of this body.
Pamper, feed and vitamin it,
Beauty top priority.
But when chips are down,
Three days a-bed,
Papers read,
Radio a-listenéd,
Computer sites computeréd,
Still sick and sickened,
I can sympathize with those who let it pass away
Voluntarily. Yet,
Every glass is half-full,
Backs have fronts,
Effects make causes new,
And you –
You’re not a body with a soul,
But soul with body.
Since you never know what waits,
The sick and tired body
Has a vanity-less duty
To hold out, push on the fates
And live.
© After The Bunion 11.16.2008
A Sense Of The Ridiculous; Birth, Death & In Between;
Circling Round Nature; Circling Round Vanities; Definitely Didactic;
Arlene Corwin
27 Jan 2009
by arlenecorwin
in 2008, birth death & in between, circling round nature, circling round reality, I Is Always You is We, lessons to be learned, life
Tags: 2008, birth death & in between
A Dream Of Death
I’ve dreamed it. How it is to die.
Not that I died but that I knew.
Not nice at all.
In fact, appalling.
Aloneness and awareness;
Sins committed, un-made-up-for:
Failures – that’s what you could call them,
Failures in the chain of hurts
Caused and never mended.
Then an insight recollection:
“There comes a phase of suffering – very short.”
Then on to phase/stage two;
Another state of mind:
Peaceful. Waiting.
There
my comfort –Reassurance and remembrance:
Something better coming,
But to live this out –
This time,
This place
This phase of utter silence;
Suffering –
It wasn’t nice.
© A Dream Of Death 8.14.2008
Birth, Death & In Between;
Arlene Corwin
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